Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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Sandro Botticelli The Birth of Venus oil painting


The Birth of Venus
1484--1485 detail of venus Florence,Galleria degli uffizi.(mk57)
Painting ID::  26957
Sandro Botticelli
The Birth of Venus
1484--1485 detail of venus Florence,Galleria degli uffizi.(mk57)
   
   
     

Sandro Botticelli The Birth of Venus oil painting


The Birth of Venus
1484--1485 detail of the winds zephyrus and Aura.Florence,Galleria degli Uffizi (mk57)
Painting ID::  26961
Sandro Botticelli
The Birth of Venus
1484--1485 detail of the winds zephyrus and Aura.Florence,Galleria degli Uffizi (mk57)
   
   
     

Sandro Botticelli Workshop of Botticelli,Portrait of a Young woman oil painting


Workshop of Botticelli,Portrait of a Young woman
1480-1485 wearing at her neck "Nero's seal" Frankfutr,Kunstinstitut Gemaldegalerie. (mk57)
Painting ID::  26963
Sandro Botticelli
Workshop of Botticelli,Portrait of a Young woman
1480-1485 wearing at her neck "Nero's seal" Frankfutr,Kunstinstitut Gemaldegalerie. (mk57)
   
   
     

Sandro Botticelli Pallas and the Centaur oil painting


Pallas and the Centaur
1482-1485 detail of the centaur and whole painting.Florence,Galleria degli Uffizi. (mk57)
Painting ID::  26965
Sandro Botticelli
Pallas and the Centaur
1482-1485 detail of the centaur and whole painting.Florence,Galleria degli Uffizi. (mk57)
   
   
     

Sandro Botticelli Pallas and the Centaur oil painting


Pallas and the Centaur
1482-1485 whole painting Florence,Galleria degli Uffizi.
Painting ID::  26967
Sandro Botticelli
Pallas and the Centaur
1482-1485 whole painting Florence,Galleria degli Uffizi.
   
   
     

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     Sandro Botticelli
     Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

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